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These fabulous twinkling earrings offer a daring combination of colored rhinestones, with deep blue and fuchsia accented by rich aqua! A larger set of now classic Lisner earrings offers 6 Lucite leaves and are harder to find in top condition than the little ones, essential if you plan to collect the entire suite.

The larger stones are set openback in a dome shaped 1" golden setting, the finish brushed, the bezels polished. The moonglow leaves, set in silvertone, are midnight blue and forest green, a bit darker than the scans depict. The huge keystones in these earrings could be called smoky topaz, but they are set open back, and when you look at them in the light, they are as clear and smooth as my mother's taupe tinted stockings.

Signed on the clips "Swarovski" in text; inside the earrings you can find the swan logo. These jewels are also beautiful, like a forest just before dark, when the sky is at it's deepest blue. Obvious designer jewels, with good heft and mix of rhinestone shapes, with all prong settings on a clean gold tone openwork finding, you just know there is a signed necklace or bracelet out there these earrings mate.

We share our reference material free of charge and work hard to make it accurate, but as with any research, mistakes can be made. 1950-1 Trifari Catalogue 1966 Caviness Catalogue charm & collection jewelry chatelaines christmas jewelry ciner clear rhinestone jewelry clips, dress and fur clothing coin jewelry compacts contemporary jewelry copper coral jewelry coro critter & creature jewelry cross motifs cupid & fairy jewelry czech jewelry deco jewelry haskell contemporary haskell advertising & art work heart jewelry hobe hollycraft horses and horse shoes iradj moini jelly belly jewelry boxes & caskets jewelry combinations jewelry with a history jomaz jonneportrait jewelry portrait porcelain & glass purple jewelry purses purses, arts & crafts red jewelry regal jewelry regency rings, victorian & edwardian rings, deco to contemporary robert/fashioncraft rose brooches rosenstein sash pins & buckles schreiner schiaparelliictorian bar pins victorian bracelets victorian bird jewelry victorian bog oak & pressed horn jewelry victorian cameos victorian children's jewelry victorian cut steel victorian earrings victorian engraved jewelry victorian hair jewelry victorian jet & vulcanite earrings victorian jet & vulcanite hands victorian jet necklaces victorian vulcanite necklaces victorian late period 1880-1901 victorian photographic jewelry victorian rhinestone jewelry victorian silver bracelets victorian snake jewelry victorian silver jewelry it is no longer possible to respond to individual questions regarding jewelry history, identification or value, or to offer written or verbal appraisals or opinions.

These jewels are made to bring out the feminine beauty and natural elegance of the woman who wears them.The molded moonglow flowers are set in ruffled silvery finding, the edges lined with clear rhinestones that sparkle so brightly they almost look like AB rhinestone.The following list is compiled from emails of Silver Forum subscribers: The list consists of designers and maker's marks that have been difficult to find in reference materials so far.The left box of each row is for the mark, either a photograph or text indicating the name found on the piece.of jewelry, the right box describes the "mystery piece" or designer. Schwab & Sons, 1923 Purses ~ New Bead Book, 1924 M.Instead, articles are added on a regular basis to JEWEL CHAT on line Magazine, a wonderful reference for information on many makers and styles of vintage jewelry.Signed on the clips (c)Lisner, the earrings are 1 5/8" tall and 1" wide. The taupe keystones are framed by lavender navettes, accented by a big dogtooth set chaton, as well as a clear chaton.The jewels are 1 3/4" tall x 1 5/8" wide and quite thick, chunky and noticeable, yet with subdued colors working wonders with your completion.The first part of the 1950's jewelry styles are still reflective of the 1940's retro jewelry including pieces with Victorian design elements such as bows.Soon the 1950's developed it's own definitive styles which include multi strand beaded necklaces with much larger beads than seen in the faux pearls in previous years.